MELODIC.To review, in the jazz context, a melodic minor scale is just the ascending version of the “classical” melodic minor scale. The brass tubes of a trumpet help the air vibrate at a certain pitch and.The 1st note of the E-flat melodic minor scale is Eb: 2: Eb-maj-2nd: The 2nd note of the E-flat melodic minor scale is F: 3: Eb-min-3rd: The 3rd note of the E-flat melodic minor scale is Gb: 4: Eb-perf-4th: The 4th note of the E-flat melodic minor scale is Ab: 5: Eb-perf-5th: The 5th note of the E-flat melodic minor scale is Bb: 6: Eb-maj-6thIn this post, I’m going to make sure we have a firm grasp of the melodic minor scale and its modes and then we can look at examples of how melodic minor can be used in jazz improvisation.Download, Fill In And Print Grade 6 Trumpet Scale Sheet Pdf Online Here For. I believe I got this lick from one of Tom Harrell’s April Mist In addition to learning the major scale in all 12 keys and the 7 diatonic or “church” modes derived from the major scale, the melodic minor scale is one of the most important and useful scales for jazz improvisers to master.A melodic minor scale is made up of seven notes, starting with the Key Note (or. I got this lick listening to Tom Harrell. Here is a ii V7 I lick you can play where you will think in harmonic minor for the beginning of the lick and use a minor arpeggio at the end of the lick. A ii V7 I lick thinking in minor 3.
That’s why I designate the “most correct” mode names the way that I do, even though some mode names might seem counter-intuitive.For example, it doesn’t make sense to have two different scales both called “Mixolydian” in the same system of modes. A note on mode names:To avoid confusion, it doesn’t make sense to duplicate mode names, and the order of mode names for melodic minor should follow the same pattern as the major mode names. By correct, I simply mean the mode name that makes the most sense theoretically, not the name that is most commonly used to refer to a given mode. It’s important to know all the different “aliases” or nicknames that are used to refer to the same scale so that you’ll know which scales other jazz musicians are talking about.I’ll also tell you what I think is the most “correct” mode name.
Note how each mode name is used only once to avoid confusion on the list of “correct” mode names, and note how the “correct” mode names follow a logical pattern which mirrors the major mode names and preserves a clear modal pattern: Mode PositionC melodic minor: “Parent” scale/mode or “root mode”“Altered scale” or “Super Locrian” or “Diminished whole-tone”Ionian (“root” mode or “parent scale” of major)Here are the modes from the table above in notation with the appropriate chord symbols:Learn these super useful modes and start hunting for places to use them to help you generate melodic material!To help you get started, here’s an example of a single melody or “lick” derived from the parent scale of C melodic minor followed by a list of how you can use it for each of the various melodic minor modes in different contexts, using real jazz standards as examples: Calling this mode “Aeolian natural 3” is a trade-off though because most people think of a minor scale when you say “Aeolian,” but what I call “Aeolian natural 3” sounds and looks more like a dominant scale.Here is a table of melodic minor modes in the key of C melodic minor. It has a “major” 3 rd not a “minor” 3 rd). This is because it parallels the Aeolian mode in the system of major modes, except the 3 rd note is natural instead flat (i.e.
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Use this lick over any B7(alt.) chord, for example in bar 2 of the bridge (bar 18 overall) of My One and Only Love.I hope this inspires you to start practicing the modes of melodic minor in all 12 keys and seek out useful applications of this highly adaptable and “exotic” sound scale. Use this lick over the A-7(b5) chord in bar 21 of I Love You.
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